Jan Brown Checco
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– Projects
International Artist Exchanges - Since 2000
Jan Brown Checco has designed and directed a series of Artists Exchange Projects through the network of Cincinnati Sister Cities. Conceived to serve professional artists with opportunities to travel, to work together and to understand the differences and similarities from culture to culture, many long-lasting and career-changing relationships have been forged in the course of project realization.
Community-based Art is Unique
The community-based process is an effective way to create public art with benefits that reach farther than the artwork itself. The group of people engaged for discussion of content, materials and technique has a unique opportunity to teach and learn from each other. New relationships are created in the context of the project schedule, and new craft and social skills are acquired, making this an ideal community building tool. The level of aesthetic excellence of the finished artwork depends entirely on the design and teaching ability of the lead artist boosted by enthusiastic participation and commitment of many community members. This shared effort makes for a sense of real ownership and accomplishment for all.
Community-based Art is Unique
The community-based process is an effective way to create public art with benefits that reach farther than the artwork itself. The group of people engaged for discussion of content, materials and technique has a unique opportunity to teach and learn from each other. New relationships are created in the context of the project schedule, and new craft and social skills are acquired, making this an ideal community building tool. The level of aesthetic excellence of the finished artwork depends entirely on the design and teaching ability of the lead artist boosted by enthusiastic participation and commitment of many community members. This shared effort makes for a sense of real ownership and accomplishment for all.
Public art projects by Brown Checco Fine Arts include mosaics, painted murals and ephemeral sidewalk chalk images.
Public art projects by Brown Checco Fine Arts include mosaics, painted murals and ephemeral sidewalk chalk images.
Public art projects by Brown Checco Fine Arts include mosaics, painted murals and ephemeral sidewalk chalk images.
Public art projects by Brown Checco Fine Arts include mosaics, painted murals and ephemeral sidewalk chalk images.
Public art projects by Brown Checco Fine Arts include mosaics, painted murals and ephemeral sidewalk chalk images.
Public art projects by Brown Checco Fine Arts include mosaics, painted murals and ephemeral sidewalk chalk images.
Public art projects by Brown Checco Fine Arts include mosaics, painted murals and ephemeral sidewalk chalk images.
International Artist Exchanges - Since 2000
Jan Brown Checco has designed and directed a series of Artists Exchange Projects through the network of Cincinnati Sister Cities. Conceived to serve professional artists with opportunities to travel, to work together and to understand the differences and similarities from culture to culture, many long-lasting and career-changing relationships have been forged in the course of project realization.
Public art projects by Brown Checco Fine Arts include mosaics, painted murals and ephemeral sidewalk chalk images.
Public art projects by Brown Checco Fine Arts include mosaics, painted murals and ephemeral sidewalk chalk images.
Selected Public Art Projects Co-Designed and Managed for the Cincinnati Park Board
Jan Brown Checco has served as Arts Administrator for the Cincinnati Park Board since 2008. Her responsibilities have included creation of the Artists Registry, conceptual design and project management for The Black Brigade Monument, and co-design of the annual Butterfly Shows at Krohn Conservatory from 2008 – 2012. Prior to this service, Jan served as a volunteer for Krohn Conservatory show and set design, notabley The Hanging Gardens of Babylon in 1993 when she invited five sculptors from the Art Academy of Cincinnati to join her for interpretation of Mesopotamian culture. She also engaged dozens of artists from the Art Academy earlier that year to create large scale original works of sidewalk chalk in Lytle Park.
Selected Public Art Projects Co-Designed and Managed for the Cincinnati Park Board
Jan Brown Checco has served as Arts Administrator for the Cincinnati Park Board since 2008. Her responsibilities have included creation of the Artists Registry, conceptual design and project management for The Black Brigade Monument, and co-design of the annual Butterfly Shows at Krohn Conservatory from 2008 – 2012. Prior to this service, Jan served as a volunteer for Krohn Conservatory show and set design, notabley The Hanging Gardens of Babylon in 1993 when she invited five sculptors from the Art Academy of Cincinnati to join her for interpretation of Mesopotamian culture. She also engaged dozens of artists from the Art Academy earlier that year to create large scale original works of sidewalk chalk in Lytle Park.
Community-based Art is Unique
The community-based process is an effective way to create public art with benefits that reach farther than the artwork itself. The group of people engaged for discussion of content, materials and technique has a unique opportunity to teach and learn from each other. New relationships are created in the context of the project schedule, and new craft and social skills are acquired, making this an ideal community building tool. The level of aesthetic excellence of the finished artwork depends entirely on the design and teaching ability of the lead artist boosted by enthusiastic participation and commitment of many community members. This shared effort makes for a sense of real ownership and accomplishment for all.
Community-based Art is Unique
The community-based process is an effective way to create public art with benefits that reach farther than the artwork itself. The group of people engaged for discussion of content, materials and technique has a unique opportunity to teach and learn from each other. New relationships are created in the context of the project schedule, and new craft and social skills are acquired, making this an ideal community building tool. The level of aesthetic excellence of the finished artwork depends entirely on the design and teaching ability of the lead artist boosted by enthusiastic participation and commitment of many community members. This shared effort makes for a sense of real ownership and accomplishment for all.
Community-based Art is Unique
The community-based process is an effective way to create public art with benefits that reach farther than the artwork itself. The group of people engaged for discussion of content, materials and technique has a unique opportunity to teach and learn from each other. New relationships are created in the context of the project schedule, and new craft and social skills are acquired, making this an ideal community building tool. The level of aesthetic excellence of the finished artwork depends entirely on the design and teaching ability of the lead artist boosted by enthusiastic participation and commitment of many community members. This shared effort makes for a sense of real ownership and accomplishment for all.
Community-based Art is Unique
The community-based process is an effective way to create public art with benefits that reach farther than the artwork itself. The group of people engaged for discussion of content, materials and technique has a unique opportunity to teach and learn from each other. New relationships are created in the context of the project schedule, and new craft and social skills are acquired, making this an ideal community building tool. The level of aesthetic excellence of the finished artwork depends entirely on the design and teaching ability of the lead artist boosted by enthusiastic participation and commitment of many community members. This shared effort makes for a sense of real ownership and accomplishment for all.
Jan’s graphic design and illustration projects include art for movie and theatre sets and costumes and imagery for record jackets.
Jan’s graphic design and illustration projects include art for movie and theatre sets and costumes and imagery for record jackets.
Jan’s graphic design and illustration projects include art for movie and theatre sets and costumes and imagery for record jackets.
Jan’s graphic design and illustration projects include art for movie and theatre sets and costumes and imagery for record jackets.
Jan’s graphic design and illustration projects include art for movie and theatre sets and costumes and imagery for record jackets.
Selected Public Art Projects Co-Designed and Managed for the Cincinnati Park Board
Jan Brown Checco has served as Arts Administrator for the Cincinnati Park Board since 2008. Her responsibilities have included creation of the Artists Registry, conceptual design and project management for The Black Brigade Monument, and co-design of the annual Butterfly Shows at Krohn Conservatory from 2008 – 2012. Prior to this service, Jan served as a volunteer for Krohn Conservatory show and set design, notabley The Hanging Gardens of Babylon in 1993 when she invited five sculptors from the Art Academy of Cincinnati to join her for interpretation of Mesopotamian culture. She also engaged dozens of artists from the Art Academy earlier that year to create large scale original works of sidewalk chalk in Lytle Park.
Selected Public Art Projects Co-Designed and Managed for the Cincinnati Park Board
Jan Brown Checco has served as Arts Administrator for the Cincinnati Park Board since 2008. Her responsibilities have included creation of the Artists Registry, conceptual design and project management for The Black Brigade Monument, and co-design of the annual Butterfly Shows at Krohn Conservatory from 2008 – 2012. Prior to this service, Jan served as a volunteer for Krohn Conservatory show and set design, notabley The Hanging Gardens of Babylon in 1993 when she invited five sculptors from the Art Academy of Cincinnati to join her for interpretation of Mesopotamian culture. She also engaged dozens of artists from the Art Academy earlier that year to create large scale original works of sidewalk chalk in Lytle Park.
Selected Public Art Projects Co-Designed and Managed for the Cincinnati Park Board
Jan Brown Checco has served as Arts Administrator for the Cincinnati Park Board since 2008. Her responsibilities have included creation of the Artists Registry, conceptual design and project management for The Black Brigade Monument, and co-design of the annual Butterfly Shows at Krohn Conservatory from 2008 – 2012. Prior to this service, Jan served as a volunteer for Krohn Conservatory show and set design, notabley The Hanging Gardens of Babylon in 1993 when she invited five sculptors from the Art Academy of Cincinnati to join her for interpretation of Mesopotamian culture. She also engaged dozens of artists from the Art Academy earlier that year to create large scale original works of sidewalk chalk in Lytle Park.
Selected Public Art Projects Co-Designed and Managed for the Cincinnati Park Board
Jan Brown Checco has served as Arts Administrator for the Cincinnati Park Board since 2008. Her responsibilities have included creation of the Artists Registry, conceptual design and project management for The Black Brigade Monument, and co-design of the annual Butterfly Shows at Krohn Conservatory from 2008 – 2012. Prior to this service, Jan served as a volunteer for Krohn Conservatory show and set design, notabley The Hanging Gardens of Babylon in 1993 when she invited five sculptors from the Art Academy of Cincinnati to join her for interpretation of Mesopotamian culture. She also engaged dozens of artists from the Art Academy earlier that year to create large scale original works of sidewalk chalk in Lytle Park.
Selected Public Art Projects Co-Designed and Managed for the Cincinnati Park Board
Jan Brown Checco has served as Arts Administrator for the Cincinnati Park Board since 2008. Her responsibilities have included creation of the Artists Registry, conceptual design and project management for The Black Brigade Monument, and co-design of the annual Butterfly Shows at Krohn Conservatory from 2008 – 2012. Prior to this service, Jan served as a volunteer for Krohn Conservatory show and set design, notabley The Hanging Gardens of Babylon in 1993 when she invited five sculptors from the Art Academy of Cincinnati to join her for interpretation of Mesopotamian culture. She also engaged dozens of artists from the Art Academy earlier that year to create large scale original works of sidewalk chalk in Lytle Park.
Selected Public Art Projects Co-Designed and Managed for the Cincinnati Park Board
Jan Brown Checco has served as Arts Administrator for the Cincinnati Park Board since 2008. Her responsibilities have included creation of the Artists Registry, conceptual design and project management for The Black Brigade Monument, and co-design of the annual Butterfly Shows at Krohn Conservatory from 2008 – 2012. Prior to this service, Jan served as a volunteer for Krohn Conservatory show and set design, notabley The Hanging Gardens of Babylon in 1993 when she invited five sculptors from the Art Academy of Cincinnati to join her for interpretation of Mesopotamian culture. She also engaged dozens of artists from the Art Academy earlier that year to create large scale original works of sidewalk chalk in Lytle Park.
Selected Public Art Projects Co-Designed and Managed for the Cincinnati Park Board
Jan Brown Checco has served as Arts Administrator for the Cincinnati Park Board since 2008. Her responsibilities have included creation of the Artists Registry, conceptual design and project management for The Black Brigade Monument, and co-design of the annual Butterfly Shows at Krohn Conservatory from 2008 – 2012. Prior to this service, Jan served as a volunteer for Krohn Conservatory show and set design, notabley The Hanging Gardens of Babylon in 1993 when she invited five sculptors from the Art Academy of Cincinnati to join her for interpretation of Mesopotamian culture. She also engaged dozens of artists from the Art Academy earlier that year to create large scale original works of sidewalk chalk in Lytle Park.
International Artist Exchanges - Since 2000
Jan Brown Checco has designed and directed a series of Artists Exchange Projects through the network of Cincinnati Sister Cities. Conceived to serve professional artists with opportunities to travel, to work together and to understand the differences and similarities from culture to culture, many long-lasting and career-changing relationships have been forged in the course of project realization.
International Artist Exchanges - Since 2000
Jan Brown Checco has designed and directed a series of Artists Exchange Projects through the network of Cincinnati Sister Cities. Conceived to serve professional artists with opportunities to travel, to work together and to understand the differences and similarities from culture to culture, many long-lasting and career-changing relationships have been forged in the course of project realization.
International Artist Exchanges - Since 2000
Jan Brown Checco has designed and directed a series of Artists Exchange Projects through the network of Cincinnati Sister Cities. Conceived to serve professional artists with opportunities to travel, to work together and to understand the differences and similarities from culture to culture, many long-lasting and career-changing relationships have been forged in the course of project realization.
Community-based Art is Unique
The community-based process is an effective way to create public art with benefits that reach farther than the artwork itself. The group of people engaged for discussion of content, materials and technique has a unique opportunity to teach and learn from each other. New relationships are created in the context of the project schedule, and new craft and social skills are acquired, making this an ideal community building tool. The level of aesthetic excellence of the finished artwork depends entirely on the design and teaching ability of the lead artist boosted by enthusiastic participation and commitment of many community members. This shared effort makes for a sense of real ownership and accomplishment for all.
Community-based Art is Unique
The community-based process is an effective way to create public art with benefits that reach farther than the artwork itself. The group of people engaged for discussion of content, materials and technique has a unique opportunity to teach and learn from each other. New relationships are created in the context of the project schedule, and new craft and social skills are acquired, making this an ideal community building tool. The level of aesthetic excellence of the finished artwork depends entirely on the design and teaching ability of the lead artist boosted by enthusiastic participation and commitment of many community members. This shared effort makes for a sense of real ownership and accomplishment for all.
Community-based Art is Unique
The community-based process is an effective way to create public art with benefits that reach farther than the artwork itself. The group of people engaged for discussion of content, materials and technique has a unique opportunity to teach and learn from each other. New relationships are created in the context of the project schedule, and new craft and social skills are acquired, making this an ideal community building tool. The level of aesthetic excellence of the finished artwork depends entirely on the design and teaching ability of the lead artist boosted by enthusiastic participation and commitment of many community members. This shared effort makes for a sense of real ownership and accomplishment for all.
Community-based Art is Unique
The community-based process is an effective way to create public art with benefits that reach farther than the artwork itself. The group of people engaged for discussion of content, materials and technique has a unique opportunity to teach and learn from each other. New relationships are created in the context of the project schedule, and new craft and social skills are acquired, making this an ideal community building tool. The level of aesthetic excellence of the finished artwork depends entirely on the design and teaching ability of the lead artist boosted by enthusiastic participation and commitment of many community members. This shared effort makes for a sense of real ownership and accomplishment for all.
Community-based Art is Unique
The community-based process is an effective way to create public art with benefits that reach farther than the artwork itself. The group of people engaged for discussion of content, materials and technique has a unique opportunity to teach and learn from each other. New relationships are created in the context of the project schedule, and new craft and social skills are acquired, making this an ideal community building tool. The level of aesthetic excellence of the finished artwork depends entirely on the design and teaching ability of the lead artist boosted by enthusiastic participation and commitment of many community members. This shared effort makes for a sense of real ownership and accomplishment for all.
Community-based Art is Unique
The community-based process is an effective way to create public art with benefits that reach farther than the artwork itself. The group of people engaged for discussion of content, materials and technique has a unique opportunity to teach and learn from each other. New relationships are created in the context of the project schedule, and new craft and social skills are acquired, making this an ideal community building tool. The level of aesthetic excellence of the finished artwork depends entirely on the design and teaching ability of the lead artist boosted by enthusiastic participation and commitment of many community members. This shared effort makes for a sense of real ownership and accomplishment for all.
Community-based Art is Unique
The community-based process is an effective way to create public art with benefits that reach farther than the artwork itself. The group of people engaged for discussion of content, materials and technique has a unique opportunity to teach and learn from each other. New relationships are created in the context of the project schedule, and new craft and social skills are acquired, making this an ideal community building tool. The level of aesthetic excellence of the finished artwork depends entirely on the design and teaching ability of the lead artist boosted by enthusiastic participation and commitment of many community members. This shared effort makes for a sense of real ownership and accomplishment for all.
Community-based Art is Unique
The community-based process is an effective way to create public art with benefits that reach farther than the artwork itself. The group of people engaged for discussion of content, materials and technique has a unique opportunity to teach and learn from each other. New relationships are created in the context of the project schedule, and new craft and social skills are acquired, making this an ideal community building tool. The level of aesthetic excellence of the finished artwork depends entirely on the design and teaching ability of the lead artist boosted by enthusiastic participation and commitment of many community members. This shared effort makes for a sense of real ownership and accomplishment for all.
Community-based Art is Unique
The community-based process is an effective way to create public art with benefits that reach farther than the artwork itself. The group of people engaged for discussion of content, materials and technique has a unique opportunity to teach and learn from each other. New relationships are created in the context of the project schedule, and new craft and social skills are acquired, making this an ideal community building tool. The level of aesthetic excellence of the finished artwork depends entirely on the design and teaching ability of the lead artist boosted by enthusiastic participation and commitment of many community members. This shared effort makes for a sense of real ownership and accomplishment for all.
Public art projects by Brown Checco Fine Arts include mosaics, painted murals and ephemeral sidewalk chalk images.
Community-based Art is Unique
The community-based process is an effective way to create public art with benefits that reach farther than the artwork itself. The group of people engaged for discussion of content, materials and technique has a unique opportunity to teach and learn from each other. New relationships are created in the context of the project schedule, and new craft and social skills are acquired, making this an ideal community building tool. The level of aesthetic excellence of the finished artwork depends entirely on the design and teaching ability of the lead artist boosted by enthusiastic participation and commitment of many community members. This shared effort makes for a sense of real ownership and accomplishment for all.
Public art projects by Brown Checco Fine Arts include mosaics, painted murals and ephemeral sidewalk chalk images.
Community-based Art is Unique
The community-based process is an effective way to create public art with benefits that reach farther than the artwork itself. The group of people engaged for discussion of content, materials and technique has a unique opportunity to teach and learn from each other. New relationships are created in the context of the project schedule, and new craft and social skills are acquired, making this an ideal community building tool. The level of aesthetic excellence of the finished artwork depends entirely on the design and teaching ability of the lead artist boosted by enthusiastic participation and commitment of many community members. This shared effort makes for a sense of real ownership and accomplishment for all.
Public art projects by Brown Checco Fine Arts include mosaics, painted murals and ephemeral sidewalk chalk images.
Public art projects by Brown Checco Fine Arts include mosaics, painted murals and ephemeral sidewalk chalk images.
Public art projects by Brown Checco Fine Arts include mosaics, painted murals and ephemeral sidewalk chalk images.
